Click here to subscribe to our newsletter, The Examiner

Current Families & Students  |  Login   

   CATECHISM   |   GRAMMAR   |   DIALECTIC   |   HUMANITIES   |   RHETORIC   |   MATHEMATICS   |   PHILOSOPHY   |   THEOLOGY

 

 QUESTIONS?

 SEND E-MAIL TO CLAA

 PHONE/FAX: 1-800-318-0261

 MENU

 SEARCH CLAA   

 CLAA HOME

 ABOUT THE CLAA

     Who We Are

     Newsletter

     Contact Info

     Charity Work

 ADMISSIONS

    Overview
    Requirements
    Enroll Online
 PROGRAMS

     Distance Learning

     Praeceptor Training

   

RESOURCES

 MUSIC & CULTURE      

 FAMILY RELIGION

 THE HOLY ROSARY

 CLAA GIFT SHOP  New!

 FOR STUDENTS

     CLAA Stadium  

     Student Prayer Guide

     CLAA Student Forum

     Guide to Latin Prayers

     Oxford English Dictionary

 FOR PARENTS

     Home Study Support

     Praeceptor Training

     Counseling Services

     College Readiness

     Link to the CLAA

     Recommended Links

   

PETTY SCHOOL

 OVERVIEW

     Petty School Overview

     Guide to Daily Prayers

 p.s. reading

 p.s. writing

 p.s. arithmetic

 

CORE CURRICULUM

 Overview

 Religion

     Classic Catechism I-III
     Scripture Catechism
     Sacred Scripture I-III
 Grammar
     Overview
     Grammar I
     Grammar II
     Grammar III

 Dialectic

 Humanities
 Rhetoric
 mathematics
     Overview
     Arithmetic
     Geometry
     Music
     Astronomy
 Philosophy
     Logic
     Physics
     Metaphysics
     Ethics
 Theology
     Moral Theology
     Scholastic Theology

   

WRITERS' SCHOOL

Opening in Fall 2010

 INTRODUCTION      NEW!
 
ENRICHMENT
 CLASSICAL VOCAB
 WORLD CHRONOLOGY
 WORLD GEOGRAPHY  
 HISTORY OF MUSIC    
 LITERATURE
 SYMPOSIA
 
 
 

 Print CLAA Transliteration Worksheet


"The Poets must be studied, an acquaintance must
be formed with History; the writers and teachers
in all the liberal arts and sciences must be read."

                                                           Cicero, De Oratore


The Humanities program in the Classical Liberal Arts Academy has little to do with reading lists and "great books".  Never in history did academy students participate in the reading marathons being suggested for children today.  This superficial study is a remaining product of modern education, obsessed with trivia, not the classical liberal arts. 

 

The difference between the true classical curriculum and others is found in the goals.  Most programs produce students who are mere spectators.  They read, listen and watch others, but they are not prepared to write, speak and act themselves.

 

The classical liberal arts curriculum leads children from the beginning of language studies in Grammar to the theory and practice of persuasive speaking and writing in Rhetoric.  

 

To study Rhetoric, students need a mastery of Grammar and Dialectic--which are studied as individual arts beforehand.  However, students also need an introduction to the greatest examples of the speaking and writing they will be trained to produce themselves in Rhetoric. Traditionally, this experience was gained in the Humanities course.

 

Note:  Readings in this course are done in the original languages.

CLAA Humanities |  Sample Lesson
 

THREE OBJECTIVES


 

A true classical humanities program serves as a bridge between Grammar studies and Rhetoric. It is intended to accomplish three objectives:

 

1. Promote Language mastery.
2. Provide a beneficial degree of Erudition.
3. Preview the Principles of Rhetoric

 

This is provided through our lessons and video prelections in the Humanities course.
 

Cicero Prelection (Sample)

  Click the image above to view a sample prelection.
 

READING RIGHTLY

The CLAA does not neglect the study of literature by maintaining a focused Humanities program.  The CLAA will be offering a rich classical literature program in which the canon of classic oratory, drama, poetry and philosophy is studied in the light of the classical liberal arts and the Catholic faith.  For more info, visit our Literature page.
 

WHO must STUDENTS READ?


 

At the top of this page, Cicero demanded that we classically-trained students read the poets, the historians and the writers and teachers of the liberal arts and sciences.  Surely, he doesn't mean just any poets, historians, etc..  Who then are the masters which students must read?  Let's look at each genre separately: 

 

I.  ORATORY

"The name of Cicero has come to be regarded not as the name of a man, but as the name of eloquence itself.  Let us, therefore, fix our eyes on him, take him as our pattern, and let the student realize that he has made real progress if he be a passionate admirer of Cicero."                                                        -Quintillian

Marcus Tullius Cicero (106-43 BC) is traditionally held to have been the greatest communicator in the history of the world, and was an excellent moral philosopher. Cicero lived during the greatest years of Roman civilization and was a star in the political, judicial and cultural spheres.  Cicero has left for us a great collection of speeches, letters and essays that allow us to learn the art of oratory from the best. 

 

To understand the power of Cicero's writings, consider this ancient testimony:

"In the ordinary course of study, I lighted upon a certain book of Cicero, whose language almost all admire. This book of his contains an exhortation to philosophy, and is called Hortensius. This book, in truth, changed my affections, and turned my prayers to You, O Lord,  and made me have other hopes and desires. Worthless suddenly became every vain hope to me; and, with an incredible warmth of heart, I yearned for an immortality of wisdom, and began now to arise that I might return to You."

The author of this praise?  St. Augustine.  The famous doctor of the Church credited the writing of Cicero with the turning of his heart toward God prior to his famous conversion.  How many testimonies like this have you heard of other study programs?

II.  HISTORY

By "History" we do not mean the study of historical information, but the art of narration which is crucial to Rhetoric.  Few understand how much is gained or lost in speech by the way in which events are related without theoretical training in the principles and virtues of narration.  To study this art we learn the applicable principles of Rhetoric and study the writings of Julius Caesar and Titius Livius.

Julius Caesar, famous for his political life, is less known today for his military life and even less for his work as a writer and speaker.  The commentaries written by Caesar on the Gallic Wars have been studied in classical academies since the days of Caesar and are the model for prose writing.  One old teacher wrote:

"Caesar's genius was many-sided, and he might have been no less eminent as an orator and an author than as a statesman and a general, if he had chosen these fields of activity for their own sake.  Caesar was recognized by his contemporaries as an orator second only to Cicero, and the simplicity, clearness and terseness of his Commentaries have made them a classic from his day to our own."

Titus Livius, known as "Livy", lived from 59 BC to 17 AD and wrote the famous history of the Roman Empire, titled Ab Urbe Condita ("From the Founding of the City").  Livy provides us not only with exemplary historical technique, but also a moral look into the Roman mind around the time of Our Lord's birth and early life. 

III.  POETRY

"The reading of poets is of great service to the orator, for the poets will give us inspiration as regards the matter, sublimity of language, the power to excite every kind of emotion, and the appropriate treatment of character."                                  -Quintilian

We find the masters of poetry among the Romans and in the Homer (for advanced Greek students).  In the later stages of Grammar, students learn the rules of Prosody and then study the finest examples in Vergil, Horace and Ovid.

Publius Vergilius Maro ("Vergil") was the poet laureate of the Augustan age and is believed by many to be the greatest poet ever to live.  It is for this reason Dante chose him to serve as his guide through the underworld in the Divine Comedy.  Students in Humanities read selections from his epic The Aeneid.  Vergil models for us the use of heroic meter which is the same used by Homer.

Quintus Horatius Flaccus, known to us simply as Horace, was a Roman philosopher and consider another of history's master poets.  Horace models for us the use of lyric poetry and, when studied rightly is a wonderful source of moral instruction, as the title of this English textbook shows, "The Odes of Horace, the Best of Lyrick Poets:  Containing Much Morality and Sweetness".  Not all of his works are so "sweet", but our concern is his technique, not all of his content, and we read only his best and cleanest selections.

Publius Ovidius Naso ("Ovid")  is the famous author of the Metamorphoses, from which almost all of our knowledge of classical mythology is derived.  Without Ovid, there would be no British Literature as his works provided the source material for most of the most famous works of Chaucer, Milton, Shakespeare and more. 
 

summary



Only the Classical Liberal Arts Academy can provide genuine classical liberal arts instruction in the Catholic tradition.  With a sound foundation of literary principles, select readings from the finest examples and strategic exercises to cultivate mastery of writing and speaking, our Humanities program prepares a firm foundation upon which the higher arts then may build.


***
William C. Michael,  Feb. 2009
mail@classicalliberalarts.com

   

 

   CATECHISM   |   GRAMMAR   |   DIALECTIC   |   HUMANITIES   |   RHETORIC   |   MATHEMATICS   |   PHILOSOPHY   |   THEOLOGY

 

"Youth is the time for extraordinary toil."  -Plato                                       A.M.D.G.  |  Contact Us