|
Communication requires that we transmit an idea in our minds to the
minds of others. Our words are imitations of our ideas and we
cannot always share with others what they have not sensed or known.
Plain or "literal" language often does not allow us to express what we
wish to or in the way we wish to and therefore man uses poetic or
figurative language to do so.
Poetic language allows us to apply a word that belongs to one thing to
something else. For example, King David wished to express his
dependence on God, but did not do so in plain language :
"The Lord takes care of me..."
Instead, he made use of poetic language to move, delight and teach his
hearers:
"The Lord is my shepherd..."
David thus uses a word that belongs to a keeper of sheep and applies it
to something else--to the Lord. Likewise, he refers to himself as
the sheep in the Lord's care. This poetic language adds richness
and warmth to the psalm and draws us with David to this gentle Shepherd.
Such is the effect of poetic language.
The cultivation of a poetic mind is essential for all who would becomes
masters in speech or writing. Our minds must be cultivated to see
the world as the great poets did and our speech must be adorned with
rich poetic forms and imagery. This course provides the beginning
of this training, which will continue throughout life in those who seek
it.
THE FIGURES
OF SPEECH
Throughout history, men who wished to master
the art of eloquent speaking and writing compiled lists of common
figures (or forms) of poetic speech used with great effect by the
greatest speakers and writers. These figures were organized and
clarified over time.
The Jesuit master Dominico de Colonia arranged the figures into two
basic classes: Figures of Sentences and Figures of Words.
Under Figures of Sentences comes three sub-categories: (1) figures
used for moving the affections, (2) for delighting the audience and (3)
for teaching. Under Figures of Words come two basic categories:
(1) Tropes and (2) Non-Tropes. Under non-tropes are grouped (a)
those formed by addition, (b) those formed by detraction and (c) those
formed by similitudes. This arrangement allows us to efficiently
master the most common figures of speech and think of them as an ordered
set of figures rather than as a random assortment of possible
"techniques" as many treat them.
One of the great gifts God has given to us is the opportunity to make
efficient use of the works of wise men of the past. We do not need
to begin the studies of Grammar, Arithmetic, Logic, and Rhetoric all
over again!
Many of use use the figures of speech naturally and many people speak
with great eloquence without much study or training.
Unfortunately, many don't! For those who have a natural eloquence
it is important for them to understand what makes their speech eloquent.
For those who do not have such gifts, it is possible for them to learn
them through the study of the art of eloquent speaking, known as
Rhetoric. In this course, we will study the figures of speech as
an introduction to our future studies in Rhetoric.
Return to Schola
Scriptorum homepage |
 |
|
|
|
COURSE OVERVIEW |
|
|
|
This
course is intended for all students beginning in the
Writers' School, regardless of age. As with all
CLAA courses, it is simple enough for young children to
begin and rich enough for older students to enjoy.
The course
provides students with rich theoretical instruction and
copious practice. The theory of this course is
taken directly from the classical masters:
Aristotle, Cicero, Quintillian and Demetrius, but is
based primarily on the famous text of the 18th century
Jesuit master Fr. Dominico deColonia. Student
writing assignments are reviewed by praeceptors of the
Writer's School who offer their expertise in coaching
the CLAA's young writers. |
|
|
|
Instructor:
William Michael |
|
Prerequisites: None |
|
Co-requisites:
Grammar I,
Biblical Studies |
|
Cost:
$125.00 |
|
Books
Required: None |
|
|
|
Major Topics Covered: |
|
Note: We prefer to use the classical names of the
figures of speech because their foreignness helps
students to remember them. |
|
|
|
1. Figures of Sentences: Ad Movendum |
|
Students are
taught the figures of sentences used to move an
audience. These include: exclamation, doubt,
supplication, imprecation, interrogation, praeterition/reticence,
embellishment and epiphonemes. All instruction is
assessed through exercises, quizzes and exams.
|
|
2. Figures of Sentences: Ad Delectandum |
|
Students are
taught the figures of sentences used to delight of the
audience. These include: apostrophe, hypostyposis,
prosopopoeia, ethopoeia and prosopographia.
All instruction is assessed through exercises, quizzes
and exams. |
|
3. Figures of Sentences: Ad Docendum |
|
Students are
taught the figures of sentences used in teaching the
audience. These include: antithesis, suspense,
communication and correction. All instruction is
assessed through exercises, quizzes and exams. |
|
4. Figures of Words: Tropes |
|
Students are
taught the common tropes or "turnings" of words and
phrases. These include: metaphors,
allegories, metonymns, synecdoches, irony, sarcasm.
All instruction is assessed through exercises, quizzes
and exams. |
|
5. Figures of Words: Per Adjectionem |
|
Students are
taught the figures of words that employ adjection or
"adding". These include: repetition,
conversion, complexion, conduplication, gradation,
synonyms, traduction and polysyntheton. All
instruction is assessed through exercises, quizzes and
exams. |
|
6. Figures of Words: Per Detractionem |
|
Students are
taught the figures of words that employ detraction or
"taking away". These include: reticence,
adjunction and disjunction. All instruction is
assessed through exercises, quizzes and exams. |
|
7. Figures of Words: Per
Similitudinem |
|
Students are
taught the figures of words that employ similtudes or
likenesses. These include: paranomasia,
similiter cadens and similiter desinens. All
instruction is assessed through exercises, quizzes and
exams. |
|
|
|
Writing
Assignments: |
|
Students will
study examples of the figures of speech from Sacred
Scripture and the writings of the classical masters.
Students are also required to complete exercises
designed to develop and assess their mastery of the
theoretical instruction received in the course.
|
|